Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.

　　薇麗亞和尼克的愛情就像我們大家的一樣，被彼此吸引，開始更進一步的接觸、認識然後了解，這些我們都知道也曾在愛情中經歷過的。　　愛情是互相的，包括互相愛戀、互相呵護甚至互相傷害。愛人們動盪的兩人關係中，希望與絕望正在拉扯…

出于爱情，瓦里与尼古拉之间动荡的关系笼罩了爱情的闷热和毁灭性变化，真正的爱和希望与破坏和绝望相抗衡。

A group of girlfriends prepare for the anticipated summer party in a cramped bathroom. Between boy talk and makeup, Mercedes navigates her blossoming attraction for her friend Julia.