搜索"䠀漀猀猀攀椀渀椀" ，找到 部影视作品
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两伊战争中，失去家园和亲人的小男孩芭舒爬上一辆卡车离开家乡，来到了人生地不熟而且语言不通的伊朗北部。在那里，他遇到了一位在农场抚养两个孩子的妇女奈依，尽管文化不同语言不通，但二人慢慢地开始相互依赖了...
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本片包含的四个故事是道德力量与死刑这两个关键主题的变奏曲。这就提出了一个问题：在专制政权及其看似不可避免的威胁下，个人自由能在多大程度上得到表达？
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Leila将她的一生奉献给了她的父母和四个兄弟。在史无前例的经济危机的影响下，这个家庭因债务而入不敷出，并随着每个人希望的幻灭而四分五裂。为了帮助大家摆脱困境，Laila制定了一个计划：收购一家商店以便与兄弟们一起创业。每个人都把所有的积蓄投入其中，但他们缺乏最后的经济支持。与此同时，他们的父亲Esmail居然出人意料地向社区许诺了一大笔钱，以便成为社区的新任教父，因为这是波斯传统中的最高荣誉。每个成员的行为都渐渐将这个家庭推向了崩溃的边缘，而父亲的健康状况却逐渐恶化。
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The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 源自：https://iffr.com/en/iffr/2023/films/endless-borders
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一个男人梦见一盒金币在洞穴尽头等着他，由于他的宗教信仰不允许他自己去追求，于是请了一个非信徒帮忙。他们一起踏上穿越伊朗大地的漫长旅程，追寻奇迹，而他们的寻宝活动对沿途遇到的人来说也很有吸引力。
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An Iranian couple living in the US become trapped inside a hotel when insidious events force them to face the secrets that have come between them, in a night that never ends.
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本片包含的四个故事是道德力量与死刑这两个关键主题的变奏曲。这就提出了一个问题：在专制政权及其看似不可避免的威胁下，个人自由能在多大程度上得到表达？