搜索"1971" ，找到 部影视作品
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In small czech town named Jilemnice live unfortunate, but brave and jovial woman Štěpa Kiliánová, whose only desire was to fill the void in her virgin life. In despair and excessive trust, she married a sardonic, reclusive man, former lieutenant and gambler Pavel Malina, whose only wish was finally found peace and forgetting the past. They lived through unrequited love, dislike and disappointment. But no one knew that her groom begin to show signs of cerebral disease, which in the coming years engulf his sanity.
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故事发生在生存环境十分恶劣，资源严重匮乏的荒凉西部。一个名为约翰（沃伦·比蒂 Warren Beatty 饰）的男人来到此地，凭借着智慧和勇气力排众议开设了一间妓院，为自己在小镇上挣得了一席之地。 随着时间的推移，约翰的生意越来越红火，就连远近闻名的当家头牌米勒夫人（朱莉·克里斯蒂 Julie Christie 饰）亦慕名而来入了伙。在朝夕相处的过程中，风流倜傥前途无量的约翰吸引了米勒了注意，前者亦为米勒的无限风情所折腰，情投意合的两人渐渐走到了一起。就在这个节骨眼上，小镇上又来了一个外来客，他成为了约翰在事业上最大的竞争对手。究竟是妥协还是抗争到底，约翰有着自己的打算。
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Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course Le Mans in France. The race goes over 24 hours on 14.5 kilometers of cordoned country road. Every few hours the two drivers per car alternate - but it's still a challenge for concentration and material. In the focus is the duel between the German Stahler in Ferrari 512LM and the American Delaney in Gulf Team Porsche 917. Delaney is under extraordinary pressure, because the year before he caused a severe accident, in which his friend Lisa's husband was killed.
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一部非常具有匈牙利特点的电影，无论是人物的服装，周围的环境还是影片要表达的主旨上都是典型的匈牙利风格。英国电影评论家David Robinson曾经断言这部影片在2000年以前从未在匈牙利以外的任何国家被广泛接受过，因为很多匈牙利人相信这部影片太过本土化而并不能得到其他国家人们的理解和认同。然而电影是超越国界的语言，我们会被其中任何一点优秀的品质所打动，Huszarik的改编和萨拉的摄影都是非传统的，色彩斑斓的，并且是有创造力的，这就已经足够了。影片表达的是对生命的赞美，描绘自然界中生命的循环往复和人们追忆旧梦时光时的感叹，并在正常的情节发展过程中搀入了男女主角无序的回忆片断，关于他们曾经放荡不羁的爱情生活，影像如油画般精美（Huszarik同时也是一位著名的画家）。 1972年曼海姆-海登堡国际电影节约瑟夫·冯·斯特恩伯格奖 1988年入选匈牙利现代电影50年十佳影片
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It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)
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Roberto, a drummer in a rock band, keeps receiving weird phone calls and being followed by a mysterious man. One night he manages to catch up with his persecutor and tries to get him to talk but in the ensuing struggle he accidentally stabs him. He runs away, but he understands his troubles have just begun when the following day he receives an envelope with photos of him killing the man. Someone is killing all his friends and trying to frame him for the murders...
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若松监督が'71 年夏、足立正生と、パレスチナの闘争を描く『赤军-ＰＦＬＰ 世界革命戦争宣言』を撮影したとき、现地で协力したのは重信だった。その後足立が日本赤军に参加し、若松监督は彼らに会うため毎年のようにレバノンのベイルートへ通い始める。 远山は、その映画『赤军-ＰＦＬＰ 世界革命戦争宣言』の上映运动のために、当时原宿のセントラル・アパートにあった若松プロに出入りしていた。 そういった彼女たちとの実际の関わりが、この映画制作に対する若松监督の大きなモチベーションになっている。登场人物同様、彼もまた「あの时代」を生きたのだ。重信と远山が登场するシーンは、若松监督のおなじみの场所、新宿ゴールデン街でも撮影された。
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主人公是一个叫戴维·曼恩（丹尼斯·韦弗 Dennis Weaver 饰）的中年男人，这天他在空无一人的州际公路上独自驾车。随后一辆大卡车出现了，挡在戴维前面，他毫不客气地超过对方。而后两车在公路上互相超了对方的车，一开始戴维还气冲冲地想超过对方走在前面，后来他却发现大卡车司机像发疯一样想置他于死地。他只好停下来，在路边餐厅整顿一下准备继续上路，发现那辆形如鬼魅的大卡车停在外面，戴维甚至不知道司机是谁。随后大卡车一直追逐着戴维，他想尽办法也甩不掉这辆大卡车，他只好与这辆如影随形的卡车展开决斗…… 本片是斯皮尔伯格的处女作，在美国获得了艾美奖最佳音效剪辑，斯皮尔伯格也因此片获得了拍摄《大白鲨》的机会。