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Life at the border is very tough. The land is stony and dry, farmers plough fields of sand and illegal trafficking seems to be the only way to make a living. In Deliviran, a village near Urfa close to the Syrian border, Hidir’s chief is involved in smuggling and gets shot. Hidir tries to stay out of illegal activities but circumstances contrive to push him in the opposite direction until he accepts to take a herd of sheep across the border. Amidst poverty and the landmines Hidir struggles to keep his dream and his young son alive.
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This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects. comments from imdb: This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films. This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away. The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking. I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever. 15 out of 10 and then some. 10/10 Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy. And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy. The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks". Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
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1995年，一架运送军火的俄罗斯货机被塔利班扣留，机组人员在被扣押387天后以超人的勇气与智慧实现自救，成功逃离坎大哈机场，成就了现代航空史上的一个奇迹。
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有人戏称这部电影是“四个男人的一台戏”。 影片中基本没有特别引人的情节，没有激烈的动作打斗场面，甚至没有撩人心弦的爱情故事，然而绕有趣味的是，影片除却赢得了1700万观众，还被当时权威电影杂志《苏联银幕》评为1983年最佳影片。 这样一部既叫座又叫好的影片讲述了前苏联20年代四个青年音乐家组办爵士乐队的故事。在那样一个“火红的年代”，属于“资本主义意识形态”的爵士乐很难被苏联官方接受。出现在影片中几乎所有文化场合的标语“艺术要为劳动人民服务！”是那个时代的典型象征。四个热爱爵士乐的青年就这样不合时宜、一波三折地进行着他们“不可能完成的任务”。 影片拍摄完成的80年代，苏联人已经开始通过一些“非法渠道”接触西方文化，当时，《巴黎最后的探戈》录像带开始半地下流行，持不同政见歌手的音乐会也几乎场场爆满。因此，在这样一种社会背景下影片中发生的故事立刻能得到观众的认同，主人公们对理想的执着、对自我价值的肯定、对友谊的坚持也让人感觉亲近和鼓舞。 影片运用幽默诙谐的手法对时代进行嘲讽，用优美的音乐旋律和舞蹈动作打动观众，一个本应沉重的题材得以让人轻松地内省。 导演卡·沙赫纳扎罗夫、编剧亚·巴拉基杨斯基、摄影弗·舍弗兹伊克构成了一个强力组合， 剧本经过10次修改，人物性格设计上的差异赋予了演员极大的发挥空间。透视片中时代里的个体、音乐里的个性，我们看到一种俄罗斯哲学的智慧。或许有一天，你已经忘记了影片故事的情节，但是某些掺杂着辛酸与甜蜜、沮丧与欣喜的电影画面会在脑海中悄然浮现。 影片获1984年法国格勒诺布尔国际音乐片电影节评委会特别奖，波兰罗兹国际电影节银奖，并参展1984年伦敦、芝加哥、贝尔格莱德等电影节。
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The colorful crew at Gotham Garage overhauls an eclectic collection of cars and trucks, trading up to a showstopper they can sell for big bucks. 个个怀揣技艺的汽车迷们齐聚哥谭改车厂，修理并改装各种各样的汽车和卡车。以小博大换取更高价值的汽车来得到梦想与现实的双丰收。
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http://movie.douban.com/oscar2012 完整获奖名单 http://movie.douban.com/doulist/1400472/ 相关豆列 【最佳影片】《艺术家》The Artist 【最佳导演】迈克尔·哈扎纳维希乌斯-《艺术家》/ Michel Hazanavicius-The Artist 【最佳男主角】让·杜雅尔丹-《艺术家》/ Jean Dujardin-The Artist 【最佳女主角】梅丽尔·斯特里普-《铁娘子》/ Meryl Streep-The Iron Lady 【最佳男配角】克里斯托弗·普卢默-《初学者》/ Christopher Plummer-Beginners 【最佳女配角】奥克塔维亚·斯宾瑟-《相助》/ Octavia Spencer-The Help 【最佳原创剧本】《午夜巴黎》-伍迪•艾伦 【最佳改编剧本】《后裔》/ The Descendants 【最佳动画长片】《兰戈》/ Rango 【最佳外语片】《纳德和西敏：一次别离》/ A Separation 伊朗 【最佳纪录长片】《不可击败》/ Undefeated 【最佳剪辑】《龙纹身的女孩》/ The Girl with the Dragon Tattoo 【最佳摄影】《雨果》/ Hugo 【最佳视觉效果】《雨果》/ Hugo 【最佳音响效果】《雨果》/ Hugo 【最佳音效剪辑】《雨果》/ Hugo 【最佳美术指导】《雨果》/ Hugo 【最佳服装设计】《艺术家》/ The Artist 【最佳化妆】《铁娘子》/ The Iron Lady 【最佳配乐】《艺术家》/ The Artist 【最佳歌曲】"Man or Muppet"-《布偶秀大电影》 【最佳动画短片】《神奇飞书》/ The Fantastic Flying Books of Mr. Morris Lessmore 【最佳真人短片】《岸边》/ The Shore 【最佳纪录短片】《挽救容颜》/ Saving Face 【琼.赫肖尔特人道主义奖】奥普拉·温弗瑞/ Oprah Winfrey 【终身成就奖】迪克·史密斯/ Dick Smith、詹姆斯·厄尔·琼斯/ James Earl Jones 【第84届奥斯卡颁奖典礼】 北美时间：2012年02月26日（周日）下午17:30（15:00开 始红地毯） 北京时间：2012年02月27日（周一）上午09:30（07:00开始红地毯） http://site.douban.com/oscar/ 豆瓣奥斯卡
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四个大学同学在雷诺赌场度过了一个愉快的夜晚，无意中听到一个警察说抢劫赌场是“不可能的”，这让他们当中最聪明的有钱人想到了一个完美的抢劫计划。他说服其他人加入，当他们听说这只是一个大学骗局时，他的计划是让警察知道钱在哪里。问题是，他的一个朋友在战争中头部受伤，不打算退一角钱。
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The film is dedicated to the Armenian monk and genius composer Komitas, and the 2 million victims on his people in Turkey in 1915. The final 20 years of Komitas life were spent in various mental hospitals. The destiny of Komitas? This is the magic beauty of Armenian culture and the abhorrent brutality of Armenian history. A cultural and artistic world that was slaughtered with a curved knife. A humanity that doggedly advances towards an apocalyptic catastrophe, that does not recognize its own original purpose, eradicates its own memory, its final roots.