影片是一部描写勇气、荣誉和爱情的历史故事。

该影片基于Marilyn Bell（Caroline Dhavernas饰演）的真实故事改编。Marilyn Bell当时16岁，是一名游泳健将，她正尝试成为第一个游泳横渡安大略湖的人。但当时美国还有位顶级游泳选手Florence Chadwick，与她一同在这场特殊的游泳马拉松中竞争第一。因为Florence Chadwick身经百战，所以大部分人都认为她会获取最终的胜利。但出乎意料的是，由于Florence Chadwick对途中艰险程度的轻视，导致了她退出了比赛，而Marilyn Bell坚持到了最后，最终成为了横渡安大略湖第一人。

哈尔和维克拉姆（均由沙鲁克汗饰演）是产业巨头——玛雅的双胞胎少爷。哈尔是一个注册的飞行员，他在双胞胎中较为年长，是哥哥。哈尔的父亲承诺他的生意伙伴，哈尔将会迎娶他的女儿，哈尔试图拒婚，但得到了明确的答复——他的父亲绝不让步。在一次试飞时，哈尔独自飞行，他策划一场飞行事故，导致每个人都相信他死了。

　　影片根据英国童书作家Georgia Byng的作品改编，主人公莫莉梦妮是一个孤儿小女孩，偶然发现了一本催眠书，她学会了催眠他人，在后来的一系列书籍中，莫莉还掌握了其他能力，包括停止时间、时间旅行、阅读他人思想和变形。利用催眠术莫莉在一场纽约比赛中名声大噪，变成出名和富有。然而，另一伙人也盯上了那本催眠书，他们找我莫莉，胁迫她参与一起抢劫纽约最著名珠宝店的计划。

A series of vignettes illustrating human captives being literally treated like animals by humanoid figures with animal heads - who or what exactly are these people?

一直在家自主教学的“瘦高个”詹姆斯正值升学的年纪，母亲阿比盖尔建议他去天才少年才能进入的圣海伦学院。詹姆斯对此并提不起兴致，因为他父亲的逝世让他患上了社交障碍症，和同龄人无法友好相处甚至大打出手，因此给阿比盖尔带来很多困扰。一次偶然的邂逅让詹姆斯对在点心店打工的女孩儿瓦尔产生了好奇心，并发现两个人身世相似都经历了家庭变故，慢慢熟络起来。直到一次詹姆斯无意间看见瓦尔和自己结识不久的朋友哈曼的亲密举动，内心的嫉妒让他对哈曼动手，在瓦尔道歉后詹姆斯才冷静下来。阿比盖尔误以为性格偏激的詹姆斯杀死了他的宠物仓鼠，詹姆斯终于向母亲坦言，自己的情绪病其实来自于曾目睹父亲自杀的过程。詹姆斯决定接受圣海伦学院的录取邀约，逾越自己的心里障碍，准备步入新生活。

　　描写演艺界和当中的人为演艺圈所作的牺牲与让步。 　　巴谦是一名刚刚成名的栋笃笑艺人。 　　他之所以成功全赖他的努力，以及他对莲达的爱。作为一个好儿子，他一直都很照顾家人。但他若希望能长久地走红，就必须牺牲他那任意妄为的经理人大哥。虽然失败或许会失去很多东西，但成功的代价却可能更大。

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

　　The volatile intersections of contemporary Moscow and the intimate lives of five people.

Inseparable best friends struggle to make the best of their last few days together, savoring the city nightlife with an enigmatic artis t one of them takes a liking for.