After four decades of reporting from the continent, Jonathan Dimbleby returns to Africa on a 7,000-mile journey to discover how it is changing.　　【Mali, Ghana and Nigeria】　　He starts his African journey in the capital of Mali, Bamako, the fastest-growing African city. Following the course of the Niger river, Dimbleby finds not a continent of beggars but of industrious people, some of whom go to extraordinary lengths to make a living, free-diving 20 feet to excavate building sand.　　Travelling north-east, he sees how tradition is preserved in an area where a sophisticated urban society has thrived for 1600 years. Jonathan gets his hands dirty as the apprentice of a 74-year-old mud mason in Djenne, a town built entirely of mud.　　In Ghana, one of Africa's freest and most stable countries, Jonathan sees a spectacular festival before playing a game of golf with the King of the Ashanti, who recalls his time working for Brent council. Dimbleby attends the King's court to see what lessons the UK can draw from traditional African structures that promote harmony and reconciliation.　　Jonathan discovers that the African brain drain is turning into a brain gain as economic opportunity and patriotism draw people home. Football unites Ghana like nothing else, superseding political and tribal divisions. There is a rich seam of young football talent on the continent in the year that the World Cup is hosted by an African nation for the first time.　　In Lagos, Nigeria's business capital, Jonathan Dimbleby sees a different take on a city that is often depicted as a hotbed of violence, crime and corruption. He is taken on a private jet by Africa's richest man, then savours the creative talents of two of African music's rising stars who are helping to cement Lagos's place as the continent's cultural hub.　　【Ethiopia, Kenya and Tanzania】　　On the second leg of his illuminating journey across Africa, Jonathan Dimbleby travels 2000 miles through East Africa's Rift Valley.　　Starting in Ethiopia, where he was the first journalist to report the 1973 famine, Dimbleby discovers the great strides being made to safeguard the country from future catastrophes.　　In Kenya he finds out how mobile phones are revolutionising small businesses and even the lives of Masai tribes.　　In Tanzania he joins in a football match with the judges and guards of Africa's own Human Rights Commission and meets the street kids in Dar-es-Salaam who are building an international profile for their music.　　【Congo, South Africa and Zambia】　　On the final leg of his 7,000-mile odyssey, Jonathan Dimbleby travels from Congo to Durban in search of the stories revealing contemporary Africa.　　He learns how China's billion-dollar deals have rebooted African economies, once dependent on Western aid and investment.　　Passing through Zambia, Jonathan survives a training session with boxing world champion Esther Phiri and meets Hugh Masekela, who shares with him his view of Africa's emerging revival.

　　A stop-motion animated skeleton takes drastic measures when he learns the film for which he was created is being rebooted without him.

该剧改编自八个恐怖漫画：女学生坠楼身亡、图书馆闹鬼、学生餐厅供应人肉、学校仓库出现无头鬼、房间有魔鬼出没、复仇心切的恶魔在废弃建筑内现身，还有一间只有死掉学生上课的教室。白天里，学校是学生的地方。入夜后，游戏规则马上改变。准备迎接全新层次的恐惧。

　　Jimmy（卢卡斯·奈夫 Lucas Neff 饰）没有正经工作看，他没有房子,只能跟母亲Virginia(玛莎·普林顿 Martha Plimpton 饰)和父亲Burt(加瑞特·迪拉胡特 Garret Dillahunt 饰)挤在一起。无意邂逅美丽的Lucy(碧悠·菲利浦斯 Bijou Phillips 饰)，两人一见钟情坠入爱河。可Jimmy很快就发现了Lucy是一个在逃的重犯，并在不久后被被警方抓获。几个月后,Jimmy到监狱探望她,竟发现Lucy竟然已经生下了自己的女儿。而Lucy很快将被执行死刑,抚养孩子的任务无可厚非责无旁贷地落在Jimmy身上。不知所措的Jimmy只好将女儿抱回了家,但他的家人并没有对这个小家伙表示出任何好感。对已经问题重重的Chance一家来说,一个新家庭成员的意外出现让他们更加头疼......

　　这部剧集由《愚人善事》（My Name Is Earl）创作人Greg Garcia打造。故事讲述23岁的Jimmy Chance与一个女人一夜风流之后，对方竟生下了他的女儿。更糟的是，这个女人随后被判处死刑，Jimmy必须独自抚养这个孩子。对已经问题重重的Chance一家来说，一个新家庭成员的意外出现让他们更加头疼。23岁的Jimmy Chance是个生活没有着落的年轻人，白天跟父亲一起替人洗游泳池挣生活费，晚上和一群狐朋狗友在一起狂欢。他没有自己的房子，只能跟母亲Virginia（Martha Plimpton扮演）和父亲Burt（Garret Dillahunt扮演）挤在一起。by:m.yakubd.cc

Follows a group of girlfriends from Assam and Meghalaya, north-eastern states in India, gathering in the back streets of Delhi to throw a secret wedding party for a soon-to-be bride. Terrorised by their rottweiler of a landlady and with their boyfriends utterly useless as help, the group's already disorganized plans soon go further awry. As the women cook the traditional Axone wedding stew (a pork stew with pungent local herbs), neighbors complain about its powerful smell. However, they are determined to prepare the aromatic dish. With the challenges brought on by cultural difference and the pressures of being migrants in a seemingly unfriendly city, is food and love enough to save the day

Jennifer Conrad is a small-town girl starting over in the big city. Fleeing an abusive relationship, all she wants is a chance to begin again. But it is hard to start over when something is eating you while you sleep . . . one painful bite at a time.

暂无剧情

　　BBC Arts2017年制作，艺术史学家詹姆斯·福克斯博士(James Fox)游历日本，讲述这个神秘国度的历史和现在。　　全3集分别为：第1集《自然.Nature》博士探究了日本文化与自然环境之间的联系。他周游日本，探究发现佛教和神道对自然的反应。　　第2集《城市.Cities》博士来到日本三大城市，京都、江户和东京的艺术生活，城市是如何帮助塑造了日本过去和现在。　　第3集《家庭.Home》博士走访日本家庭。探究日本家庭的极简主义为何出口到世界各地，它的起源有什么精神和哲学价值。

　　Frank Lloyd Wright is America's greatest-ever architect. However, few people know about the Welsh roots that shaped his life and world-famous buildings. Now, leading Welsh architect Jonathan Adams sets off across America to explore Frank Lloyd Wright's masterpieces for himself. Along the way, he uncovers the tempestuous life story of the man behind them and the significance of his radical family background.　　In a career spanning seven decades, Frank Lloyd Wright built over 500 buildings, and changed the face of modern architecture: Fallingwater, the house over the waterfall, has been called the greatest house of the 20th century; the spiralling Guggenheim Museum in New York reinvented the art museum; the concrete Unity Temple was the first truly modern building in the world. But the underlying philosophy that links all Wright's buildings is as important as anything he built.　　Those ideas were rooted in the Unitarian religion of Frank Lloyd Wright's mother. Anna Lloyd Jones was born and raised near Llandysul in west Wales and migrated to America with her family in 1844, most likely to escape religious persecution. Her son, Frank, was raised in a Unitarian community in Wisconsin, a small piece of Wales in America. The values he absorbed there were based on the sanctity of nature, the importance of hard work, and the need to question convention and defy it where necessary. Wright's architecture was shaped by, and expressed, these beliefs.　　Frank Lloyd Wright set out to create a new American architecture for a new country. He built his own lifelong home in the valley he was raised in, and he named it after an ancient Welsh bard called Taliesin. It was the scene of many adventures - and a horrific crime. In 1914, a servant at Taliesin ran amok and killed seven people including Wright's partner, Mamah Cheney, and her two young children.　　Wright rebuilt his home and went on to marry a Montenegrin woman, Olgivanna Milanoff, some 30 years younger than him. It was Olgivanna who struck upon the idea that saved Wright's career after the Wall Street Crash and personal scandal laid it low. She decided that her husband should take on apprentices and that the apprentices should pay for the privilege. The Taliesin Fellowship had a hands-on approach, with apprentices often building extensions to Wright's own houses, labouring and cooking for him. Somehow it worked, lasting for decades and nurturing hundreds of young talents.　　Frank Lloyd Wright died in 1959 aged 91 while working on his final masterpiece, New York's incomparable Guggenheim Museum. He had been born in the wake of the American civil war, the son of a pioneer, and died a television celebrity, in the space age. He is buried in the shadow of Taliesin, alongside his Welsh ancestors.　　A 150 years after his birth, Jonathan Adams argues that Frank Lloyd Wright is now a vitally important figure who can teach us how to build for a better world. Wright believed in what he called organic architecture; buildings that grace the landscape, express an idea of how to live and respond to individual needs. This bespoke approach - a philosophy, not a style - puts him at the heart of modern architectural thinking.