Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.

The late, great impresario Florenz Ziegfeld Jr. looks down from Heaven and ordains a new revue in his grand old style.

一個成功的女人，背後會有個怎樣的男人？本片根據真人真事改編，其實是一個沒有愛情的愛情故事。影片描繪名歌手Ruth Etting 與丈夫兼經理人、芝加哥黑幫頭子的愛恨。她不愛他，但為了成名，接受他的庇護及擺佈；他卻是真心愛她，也尊重她，一心一意幫助她發展事業，始終沒有強佔她。最後，她明星夢是圓了，也為了報恩嫁了他，但是音樂背後的故事，疑幻也似真。舞台巨星對人歡笑背人愁，她背後的男人，何嘗沒有淒酸？

A poor, uneducated mountain girl leaves her cabin in search of respect, a wealthy husband, and a better life.…

本片是两傻电影的最后一部，由查尔斯·拉蒙特执导，高脚七、矮冬瓜和玛丽·温莎合演。故事描述两傻从一个女歹徒身上找到一个失传的奖牌，从而找到一个价值连城的古墓，以及一个仍然活着的木乃伊。二人在片中已呈老态，但仍表演了一些典型的惹笑伎俩，而且影片也略有恐怖气氛。

　　老千约翰尼·法雷尔（格伦·福特 饰）来到阿根廷的首夜就遭遇了抢劫，幸而赌场老板巴林·蒙德森（乔治·麦克雷迪 饰）出手相救。约翰尼毛遂自荐为巴林工作，并从打手做到了经理。巴林旅行归来已为人夫，其妻吉尔达（丽塔·海沃思 饰）竟是约翰尼前女友……

电影用讽刺癫狂的手段，展现了哈萨克主播波拉特（萨莎·拜伦·科恩 Sacha Baron Cohen 饰）到美国的一场“文化之旅”。波拉特在哈萨克国内是个排名第六的主持人，擅长用粗俗搞笑的桥段吸引观众眼球。他的家人也有点儿“怪”，妹妹还获得“风尘小姐”的第四名。就是这样一个主持人，被派去了美国进行文化学习，并拍回来一部纪录片。波拉特和制片人在人们的欢送下来到了光怪陆离的美国。他开始学习美国的礼仪，接触美国的文化，然而却处处碰壁，处处闹出笑话。这天波拉特在电视上看到心中的美丽女神，心驰神往，甚至忘记了此行任务……能否学成归国，对于乐不思蜀的波拉特还是未知数呢。

长久以来，人类与吸血鬼的战斗从未停息。很多年之后，人类为了生存，寄居于教会严密控制的城市之中，并且训练了猎魔教士来保护自己。在结束了与吸血鬼的战争之后，猎魔教士的队伍被解散，并逐渐被世人所遗忘。曾在战时立下汗马功勋的传奇猎魔教士（保罗·贝坦尼饰）已隐匿多年，可是忽然造访的警长希克斯（凯姆·吉甘戴饰）却给他带来一个不好的消息，远在荒原的亲人受到吸血鬼的攻击，并且掳走了他的侄女露西（莉莉·柯林斯饰）。为了救出亲人，猎魔教士不惜违背主教们的意志，开始踏上自己的拯救之旅。此时，由于违背了主教的意志，主教派出四名猎手对传奇教士展开追捕……

暂无剧情

某日，善良的男孩卢卡斯（乔纳·豪尔-金 Jonah Hauer-King 饰）在一幢废弃的大楼里遇见了一只孤零零的小狗，虽然卢卡斯的母亲禁止他养宠物，但是不忍心看到小狗无人照料的卢卡斯还是将小狗带回了家并取名为贝拉，就这样，贝拉成为了卢卡斯家中新的一员。　　某日，卢卡斯的母亲带着贝拉前往退伍军人医院看病，哪知道贝拉不仅没有给她惹麻烦，反而还给医院里原本郁郁寡欢的病人们带来了快乐，很快，贝拉就成为了医院中的人气明星。一场意外让卢卡斯不得不将贝拉寄养在朋友家中，并不理解主人的用意的贝拉决定离家出走，依靠自己的勇气和智慧和主人重聚。