搜索"❙歓뜀㱨年㱜" ，找到 部影视作品
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The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. [email protected]
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My Name is Simon，Simon Templar The Saint was a long-running ITC mystery spy thriller, airing in Britain on ITV between 1962 and 1969. It centered on the Leslie Charteris literary character, Simon Templar—a Robin Hood-like adventurer with a penchant for disguise. Because of the strong American performance of the initial black-and-white seasons in first-run syndication, NBC picked up the show as a summer replacement on its evening schedule in 1966. Thus, the programme ended its run with both trans-Atlantic prime time scheduling and colour episodes. It also proved popular beyond America and Britain, eventually premiering in over 60 countries. With almost 120 episodes, the programme is exceeded only by The Avengers as the most productive show of its genre produced in Britain. SEASON 1 (1962) B/W # 1- 1 The Talented Husband # 1- 2 The Latin Touch # 1- 3 The Careful Terrorist # 1- 4 The Covetous Headsman # 1- 5 The Loaded Tourist # 1- 6 The Pearls of Peace # 1- 7 The Arrow of God # 1- 8 The Element of Doubt # 1- 9 The Effete Angler # 1-10 The Golden Journey # 1-11 The Man Who Was Lucky # 1-12 The Charitable Countess . SEASON 2 (1963) B/W # 2- 1 The Fellow Traveller # 2- 2 Starring the Saint # 2- 3 Judith # 2- 4 Teresa # 2- 5 The Elusive Ellshaw # 2- 6 Marcia # 2- 7 The Work of Art # 2- 8 Iris # 2- 9 The King of the Beggars # 2-10 The Rough Diamonds # 2-11 The Saint Plays With Fire # 2-12 The Well Meaning Mayor # 2-13 The Sporting Chance # 2-14 The Bunco Artists # 2-15 The Benevolent Burglary # 2-16 The Wonderful War # 2-17 The Noble Sportsman # 2-18 The Romantic Matron # 2-19 Luella # 2-20 The Lawless Lady # 2-21 The Good Medicine # 2-22 The Invisible Millionaire # 2-23 The High Fence # 2-24 Sophia # 2-25 The Gentle Ladies # 2-26 The Ever-Loving Spouse # 2-27 The Saint Sees it through . SEASON 3 (1964) B/W # 3- 1 The Miracle Tea Party # 3- 2 Lida # 3- 3 Jeannine # 3- 4 The Scorpion # 3- 5 The Revolution Racket # 3- 6 The Saint Steps In # 3- 7 The Loving Brothers # 3- 8 The Man Who Liked Toys # 3- 9 The Death Penalty # 3-10 The Imprudent Politician # 3-11 The Hi-Jackers # 3-12 The Unkind Philanthropist # 3-13 The Damsel in Distress # 3-14 The Contract # 3-15 The Set-Up # 3-16 The Rhine Maiden # 3-17 The Inescapable Word # 3-18 The Sign of the Claw # 3-19 The Golden Frog # 3-20 The Frightened Inn-Keeper # 3-21 Sibao # 3-22 The Crime of the Century # 3-23 The Happy Suicide . SEASON 4 (1965) B/W # 4- 1 The Checkered Flag # 4- 2 The Abductors # 4- 3 The Crooked Ring # 4- 4 The Smart Detective # 4- 5 The Persistent Parasites # 4- 6 The Man Who Could Not Die # 4- 7 The Saint Bids Diamonds # 4- 8 The Spanish Cow # 4- 9 The Old Treasure Story . SEASON 5 (1966) colour # 5- 1 The Queen's Ransom # 5- 2 Interlude in Venice # 5- 3 The Russian Prisoner # 5- 4 The Reluctant Revolution # 5- 5 The Helpful Pirate # 5- 6 The Convenient Monster # 5- 7 The Angel's Eye # 5- 8 The Man Who Liked Lions # 5- 9 The Better Mousetrap # 5-10 Little Girl Lost # 5-11 Paper Chase # 5-12 Locate and Destroy # 5-13 Flight Plan # 5-14 Escape Route # 5-15 The Persistent Patriots # 5-16 The Fast Women # 5-17 The Death Game # 5-18 The Art Collectors # 5-19 To Kill a Saint # 5-20 The Counterfeit Countess # 5-21 Simon and Delilah # 5-22 Island of Chance # 5-23 The Gadget Lovers # 5-24 A Double in Diamonds # 5-25 The Power Artists # 5-26 When Spring is Sprung . SEASON 6 (1968) colour # 6- 1 The Gadic Collection # 6- 2 The Best Laid Schemes # 6- 3 Invitation to Danger # 6- 4 Legacy for the Saint # 6- 5 The Desperate Diplomat # 6- 6 The Organisation Man # 6- 7 The Double Take # 6- 8 The Time to Die # 6- 9 The Master Plan # 6-10 The House on Dragon's Rock # 6-11 The Scales of Justice # 6-12 The Fiction Makers (1) # 6-13 The Fiction Makers (2) # 6-14 The People Importers # 6-15 Where the Money Is # 6-16 Vendetta for the Saint (1) # 6-17 Vendetta for the Saint (2) # 6-18 The Ex-King of Diamonds # 6-19 The Man Who Gambled with Life # 6-20 Portrait of Brenda # 6-21 The World Beater