搜索"쩠驠" ，找到 部影视作品
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新一年暑假到来，恒（广濑斗史辉 饰）与弥惠（丰田真唯 饰）两兄妹来到海滨小镇戸野崎的叔叔家度假。刚来的第一天，他们便赶上了一场罕见的大台风。听亲戚孩子说，每当台风登陆时，大海里的亡灵将会登陆上岸。看似是一个没有根据的传说，但是从这一天开始，镇上的孩子便接连看到奇怪的景象，比如躲在水里玩捉迷藏的儿童鬼魂，开往大海的死亡列车……与此同时，孩子们也接二连三地失踪。这些都让他们想起很久以前的一段往事，许多年前，镇上的小学建在大海边。某天，几名学生在空荡荡的校舍里玩捉迷藏，谁知却遇上史无前例的大海啸，孩子们连同校舍全部葬身海底。似乎，这几个死去的学生仍想继续她们未完成的游戏…… 本片根据常光彻的同名小说改编。
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一架试飞的协和号超音速飞机在飞往伦敦途中突然坠入大海，机组人员中仅有一空姐幸免于难。此次空难是美国纽约的一个国际飞机制造公司为独霸飞机市场而阴谋策划的，一恐怖组织获悉了内情，囚禁了幸存的空姐，高价勒索纽约公司。 第二架满载乘客的协和号飞机又将起飞，纽约公司孤注一掷，再施魔手。为粉碎其阴谋，摩西与纽约公司和黑帮组织展开了殊死搏斗......
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天生不能说话的比莉（玛丽娜·奇蒂娜 Marina Zudina 饰）是一名道具师，她的工作是为小成本恐怖片提供道具，虽然身体上有缺憾，但有一个关心她的姐姐让她的生活充满了温暖。一天收工后，她为了取回落在拍摄现场的道具而折返，却被锁在了片场。无聊的她四处转悠，无意之间闯进了一部色情片的拍摄现场，令他没有想到的是，在转瞬间，色情变恐怖，女演员活生生的杀死了，而凶手手中的镜头，如实的拍下了这血腥的一幕。比莉报了警，警察前来搜索却一无所获，凶手坚称吓坏了的比莉将假戏看成了真做。 事情并没有结束，原来，凶手系俄罗斯黑手党成员，专门拍摄这种真实的暴力电影来满足顾客的特殊需要。事件平息后，他们立刻展开了针对比莉的灭口行动。无法开口的比莉，只有通过自己的智慧和行动来揭开这场事件的真相。
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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传说中，鹈鹕会啄破自己的胸膛，用鲜血滋养饥饿的幼鸟。身为驯马师的母亲领养了孤儿拉雅，谁料拉雅因从小心灵受到重创，无法像常人一样感知亲情，时而出现过激举动，让母亲和姐姐十分困扰。在自己和养女之间，母亲做出了无私的决定。来自女性导演的作品以悬疑、惊悚类型片的方式探索母性这一永恒的话题。