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刚刚硕士毕业的夏梦(陈紫函 饰)跟新婚丈夫常在(立威廉 饰)去泰国旅游,途中听说金沙谷很漂亮,身为记者的常在决定带着夏梦来一趟浪漫之旅。在前往金沙谷的途中,夏梦看见了一张刀疤脸,受到惊吓,更莫名其妙被一辆越野车撞翻,险些丧命,接着常在又跌落陷阱里,幸得一个叫郑大林(谭耀文 饰)的年轻人相救。夏梦觉得郑大林和他的恋人伊拉(牛萌萌 饰)关系微妙,身份可疑,提醒常在小心,但是常在却陶醉于美丽的风景之中。两队恋人决定搭伴而行,途中他们获知,山下有一对旅游者被杀,当地警方正在展开调查,他们在感叹当地社会治安差的同时,也对自己身处迷幻般的丛林心生不安!一路上,他们遇到一个来去无踪的神秘性感女子;遇到了一对死于非命的年轻男女;还有那个一直尾随他们的刀疤脸......随着旅程的深入,危机四伏,扑簌迷离,他们不知道自己到底卷入了什么样的境况中。猜忌、绝境、惊悚接踵而至,让人的肉体和精神一次又一次地接受考验,而这一切只是刚刚开始......©豆瓣
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.