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It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)
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The spirit of a comatose teenage girl possesses the body of a newcomer to her girls boarding school to enact bloody revenge against the elitist, lingerie-clad coeds responsible for her condition.
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Mannheim-Heidelberg International FilmfestivalYearResultAwardCategoryRecipient(s)1969 Won Grand PrizeDusan HanákA government official in Czechoslovakia mistakenly believes he has cancer. He reasons his involvement in clandestine activities during the Stalin administration have fated him to die from a dreaded disease. He searches for inner peace as he feels the guilt of his past transgressions. This film tied for the Grand Prize at the Mannheim Film Festival in 1969.Slovak director Dusan Hanak was one of Czech cinema's brightest and best talents of the '60s and '70s, but because of censorship this was not manifest until the late '80s. Dusan made an impact on the film world with his auspicious debut 322 (1969). Though banned until 1988, when it was finally released, it earned international acclaim and the Grand Prix award at the Mannheim Film Festival. Hanak's sophomore effort, the documentary Obrazy Stareho SvetaImage of an Old World (completed in 1972), was also not released until 1988 and neither was his 1980 film Ja Milujem, Ty MilujesI Love You, You Love. Only Hanak's 1976 film Ruzove SnyRose-Tinted Dreams passed muster with censors and saw a timely release.
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杨·南曼奇在捷克新浪潮的地位,类似于雷奈在法国新浪潮一样。这是他的第一部剧情长片,描绘两个犹太男孩在被送往死亡集中营的途中,从火车上逃脱,被迫在乡野展开挣扎,艰难地求生存的故事,看似具备写实的基础,却被混合了幻想的影像,以及自由跳跃的叙事所重组。
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故事发生在1967年的布拉格,圣诞节即将来临,家家户户都沉浸在节日的喜悦气氛之中。16岁的少年米修(迈克尔·贝兰 Michael Beran 饰)暗恋着邻居家的女孩金德诺(克里斯蒂娜·科胡托娃 Kristýna Nováková 饰),无奈落花有意流水无情,而两家人之间的关系也并不亲密,米修小小年纪就饱尝了求而不得的痛苦滋味。 之后,金德诺的母亲去世了,而她的父亲居然爱上了米修的阿姨,因为这段姻缘,两家人重修旧好,米修终于找到了机会向金德诺倾诉了他深藏已久的爱意,但金德诺对于这段感情似乎十分怯懦。金德诺即将跟随父亲前往伦敦游玩,面对离别,米修能够坚持自己小小的爱恋吗?
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Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
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在一个远离喧嚣闹事的田园所在,双胞胎卢卡斯(卢卡斯·施-瓦兹 Lukas Schwarz 饰)和伊莱亚斯(伊莱亚斯·施-瓦兹 Elias Schwarz 饰)过着无忧无虑的生活,同时每天等待住院的妈妈早日归来。这一天,两个小家伙一身泥泞跑回家中,惊喜地发现妈妈(苏珊娜·伍艾斯特 Susanne Wuest 饰)终于回来了。只不过妈妈头上缠着绷带,几乎看不清原来的模样。只不过接下来的一段时间,孩子们发现妈妈态度变得冷淡,言行举止也有许多怪异的地方,他们甚至认为这并非真正的妈妈。母子间的冲突不断加剧,妈妈禁止伊莱亚斯和哥哥卢卡斯说话,男孩为此痛苦不堪。 究竟是什么让这个家走向破败边缘?究竟是哪里出了问题?
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27岁的Rachel一个人照顾着24岁的智障妹妹Gabby。Rachel工作的时候不得不把Gabby独自留在家中,被社工发现后,Rachel不得不奖Gabby送往日托中心,然而这大大改变了Rachel的生活,因为这是她第一次与别人共同分享对亲爱妹妹的教养,妹妹的缺席令她的日常生活产生大片的空白与崩溃。另一方面,Zohar成为撕扯她与妹妹之间纽带的另一道伤痕,Rachel无法与除了她和妹妹的其他人发展出正常的亲密关系,不得不迫使他们陷入一个扭曲的三人关系,爱的界限也饱受蹂躏……
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寒老人是俄罗斯民间传说中的人物,类似于俄罗斯版的圣诞老人,还能控制冰雪。善良天真的女主、恶毒的后妈、愚蠢的姐姐,男女主历经种种磨难,最后在严寒老人的帮助下,男女主在一起了。
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该片以回忆的方式记叙了一个忧郁的巴黎青年人努力寻找现代大都市生活的意义和生命的故事。他在宗教,政治中找不到幸福和生活的理由,甚至在他自己身上也找不到。于是他把时间花在两个女人的身上,希望这样能够永久联系在一起。