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The presidents of two superpowers, the Soviet Union and the United States, are expected to meet for important negotiations. However, the meeting in jeopardy due to raging of the Russian Mafia, settled in America. Mafioso Rabinovich even interfere with the conversation of top secret hotline between the presidents. So begins a comedy, in which KGB agent Fyodor Sokolov and CIA agent Mary Star expose the Artist, a head of the Mafia, feigning of various Soviet leaders.
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Syfy真人秀节目《Face off》。参赛者将比拼特效化妆技术。评委是世界顶尖的影视特效设计师和化妆师:Glenn Hetrick 特效化妆师(作品:《吸血鬼猎人巴菲》《X档案》《致命魔术》《基督再临》《英雄》《犯罪现场调查纽约》)、Ve Neil 传奇化妆师,八次奥斯卡提名三次获奖(作品:《剪刀手爱德华》《阴间大法师》《蝙蝠侠归来》《窈窕奶爸》《加勒比海盗》)、Patrick Tatopoulus 人物造型设计师&导演(作品:《独立日》《哥斯拉》《星际之门》《机械公敌》《黑夜传说前传:狼族再起》)。最终的优胜者将获得10万美元奖金,一整年用量的Alcone品牌提供的免费化妆品。
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Upon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min
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根据亚历山大·普希金的同名戏剧改编,讲述沙皇鲍里斯·戈东诺夫的传奇故事,他于1598年-1605年统治俄罗斯。
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一场意外让宾虚(拉蒙·诺瓦罗 Ramon Novarro 饰)沦为了可以被随意买卖的奴隶,他被卖到了一艘兵舰上,成为了一名水手。某日,兵舰遭遇海盗的袭击,就在这生死存亡的紧要关头,身强体壮的宾虚成功挽救了兵舰司令官的性命,司令官感谢宾虚的救命之恩,不仅赋予了他自由,还将其收为养子。 之后,宾虚成为了一名角斗士,在竞技场里的英勇表现很快便为他赢得了名声与荣誉,然而,他的扶摇直上亦遭到了旧有梅瑟拉(弗朗西斯X·布什曼 Francis X. Bushman 饰)的妒忌。梅瑟拉提出要和宾虚来一场战车竞赛,实则想要暗害宾虚,没想到奸计没有得逞,自己的战车却翻倒在地。
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A pianist named Garvey, while traveling on a tour, gets off the train to buy cigarettes, and learns from a salesgirl that the cities imagined by Grin really exist. Forgetting about his tour, he goes to one of these cities, where he meets the captain of "The Waverunner"... The famous bard Alexander Galich wrote the script to this film -one of the 1960s best motion pictures. The film features his wonderful songs as performed by Galich himself: "A ship was sailing from faraway Australia...", "Things will straighten out, there's nothing to worry about..."... In the 21st century, the cinema will be different; perhaps it's natural. And yet, it's a pity...
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影片《夏伯阳》根据富尔曼诺夫的同名小说改编,前苏联列宁格勒电影制片厂1934年出品。 片中塑造了夏伯阳这位苏联国内战争中传奇式的英雄人物。该片是苏联电影史上的杰作,人物形象鲜明,语言性格化,片中“精神战”一场,堪称场面蒙太奇的典范。 影片荣获1941年斯大林奖金,在1978年评选的国际电影诞生以来100部最佳影片排行榜中,金榜题名。 夏伯阳是苏联国内战争时期传奇式的英雄人物。 这是在严酷的1919年红军同高尔察克白匪军作殊死战的战线上。一阵叮当的铃声,一架三套马车从广阔无垠的俄罗斯原野上飞驰而来。一群被白匪击溃的游击队员衣帽不整,狼狈地迎着马车跑来。马车冲进人群,一个目光锐利,像哥萨克那样歪戴着帽子的人敏捷地站起身来喝住人群。“站住,上哪儿去?”被驱赶得弃枪丢鞋的游击队员们,听到他们指挥员的喊声,马上停下。“来,跟我走!”随着一声令下,人们似乎振作起来,跟着马车往回冲去。车上的机枪吐出火舌,扫向敌村。敌人遭到不曾意料的反击,措手不及,一见马车上那勇士更是吓破了胆,纷纷弃甲而逃。游击队转败为胜,夺回村子。这个率领士兵冲锋陷阵的骁勇的指挥官,就是令敌人闻风丧胆的夏伯阳…… 后把英勇善战的将士说成是夏伯阳式的。
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塔基亚娜(Nina Ivanova 饰)是一位非常美丽的姑娘,大学毕业之后,她决定前往工人夜校教授文学课。怀着满腔教育抱负的塔基亚娜没有想到的是,在夜校里,那些工人们根本就不把文学课当做是一回事,学习态度非常的消极和散漫,这让塔基亚娜非常的受打击。然而,随着时间的推移,塔基亚娜渐渐的在这些工人们的身上看到了吃苦耐劳的一面,对他们的看法有了大大的改观。 工人萨沙(尼古拉·雷布尼科夫 Nikolai Rybnikov 饰)爱上了塔基亚娜,可是塔基亚娜拒绝了他,这让萨沙陷入了抑郁的情绪中,破罐子破摔。之后,塔基亚娜在一次偶然的机会下发现了萨沙不为人知的一面
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This is an interesting yet bizarre little tale of a fictional (as far as I know, anyway) experiment performed during the Stalin-controlled years in the USSR. The main character is changed from a woman into a man. This is part of a larger plan to change more women into men and have a stronger work-force/army, etc. It's a very in-depth character study of the main character, who tries to fit into a world that she (now 'he') doesn't really understand, especially since she's now a man ... Stalin dislikes the results of the experiments and has the scientist killed. The main character then goes off to live a life as a simple, unknown everyday Soviet, but is inexplicably drawn into larger and larger schemes (somewhat reminiscent of "Forrest Gump" in that way). (s)He has run-ins with different important characters, including his ex-boyfriend from his days of being a woman, as well as going on a demented quest for the nurse with whom he possibly fell in love after the operation... However, he is trapped in his life as an important Soviet married man, and in the end makes a huge sacrifice for his country (unwillingly), and the movie goes from there to an ending that is possibly happy, yet still somehow incredibly depressing.