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Two pretty girls come of age and a painter has an unusual commission. In a repressive climate sexual exploration repression and liberation are and represented.
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这是救援骑士们千载难逢的寻宝之旅,他们必须抓紧时间找到珍贵的金龙蛋,防止它落入邪恶海盗之手
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与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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15岁的高中生米亚(安妮•海瑟薇 饰)与母亲生活在美国,但她十分不自信,也常常遭到同学的嘲笑。就在她16岁生日那天,她与祖母(茱莉•安德鲁 饰)见面后发现这个优雅的女士是欧洲小国吉诺维亚的女王,米亚正是这个国度的公主。刚开始米亚十分不愿,在母亲的调解下米亚的态度才有所缓 和。
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费城一个毫无征兆的宁静早晨,前联合国调查员盖瑞·雷恩(布拉德·皮特 Brad Pitt 饰)驾车载着妻子凯伦(米瑞·伊诺丝 Mireille Enos 饰)和两个女儿蕾切尔(Abigail Hargrove 饰)、康妮(Sterling Jerins 饰)外出。谁知原本快乐的气氛很快变为恐慌与死亡所替代,连环的爆炸,惊恐逃散的人群,无序的车祸以及啃咬他人的丧尸,繁华大都会转瞬沦陷。盖瑞费尽九牛二虎之力带着妻女逃生,最终逃到联合国副秘书长所在的航母上,进而得知包括美国总统在内的数名大国首脑均已死亡,丧尸病毒业已蔓延全球。为了阻止世界毁灭,格里无奈受命,和来自哈佛的病毒学博士法斯巴克(Elyes Gabel 饰)前往病毒的源头之地寻找解除危机的办法。 这是一场几乎完全没有希望且充满磨难的征程,世界命运危在旦夕……
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本该温馨美好的情人节,四名漂亮的女人却收到了令人不寒而栗的古怪卡片,接着古怪恐怖的事情开始在她们中间发生。原来,这一切起因于她们上学时曾无情的嘲笑过个一个性格内向、古怪的可怜男生。现金一转数年过去了,当年高中舞会上的“丑小鸭”已经变成了“天鹅”,决定回来在情人节当日对她们实施最无情的报复。到底谁才是元凶,这四个漂亮女人能否逃过此劫?围绕在她们周围的男士人人皆有可疑……
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格鲁吉亚新浪潮佳作. 09年莫斯科国际电影节格鲁吉亚电影回顾单元参展片. A poetic chronicle of the events that occurred in a certain Georgian village in the late 19th century. A few intellectuals managed to rally the villagers and rise against the manufacturers in an attempt to save the forest. http://www.moscowfilmfestival.ru/eng/31/films/31100/
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Akerman's Toute une nuit is a collection of vignettes depicting the fancies and dramatic moments of a number of people throughout one summer night. The film has little dialogue and relies on a remarkable series of contrasts for effect a sultry night of deep, often painful depictions of passion visualized in a stark and grainy manner against the backdrop of a spiritless, bland Brussels. 被认为是仅次于让娜 迪尔曼的该导演另一部杰作
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该片跨越25年拍摄而成,深入探讨我们集体对于财富和名气的迷恋与追求。