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死亡空间:坍塌
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 《死亡空间:坍塌》是电脑游戏《死亡空间1》的剧情前传:  在AEGIS VII殖民星球上,统一教得知了地球政府将其藏匿并封锁的Red Marker。随后派遣石村号前往Aegis VII进行所谓的采矿作业,实则是回收Red Marker。 石村号和AEGIS VII的工程人员接触MARKER,并开始进行转移工作。转移过程中,工作人员开始产生幻觉,随后开始变异并自相残杀。与此同时,AEGIS VII的住民开始变得异常,奈特和威尔开始调查住民暴乱,但发现事情无法控制...
养老庄园
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  After suffering a stroke, Judith Albright moves into a historic nursing home, where she begins to suspect something supernatural is preying on the residents. In order to escape, she'll need to convince everyone around her that she doesn't actually belo
呆子
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The Saphead is a 1920 comedy film featuring Buster Keaton. It was the actor's first starring role in a full-length feature and the film that launched his career.  The plot was a merging of two stories, Bronson Howard's play The Henrietta and the novel The New Henrietta by Victor Mapes and Winchell Smith, which was meant to be an adaption of Howard's play.
布加勒斯特的秘密
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 影片以18世纪罗马尼亚的地下秘密组织“兄弟会”为线索,该组织密谋推翻贵族政府为目的。影片拍摄时期为罗马尼亚共产党执政时期,对“兄弟会”进行颂扬。当时的罗马尼亚受到法国大革命的影响,民族主义运动兴起。片中的“兄弟会”酝酿发动革命推翻贵族统治,而黄玫瑰则帮助 “兄弟会”与贵族军队作战。影片本来要拍成《007》那样的系列电影,但是因为后来罗马尼亚政局变化,电影业私有化,最后只拍到了第八部。  影片风格是美国西部片式的。男主角马尔杰拉图神出鬼没,神勇无比,为“兄弟会”出生入死。他不停地嗑瓜子动作,成为他的招牌。扮演马尔杰拉图的演员叫弗洛林·彼耶尔西克,据说,他在罗马尼亚电影表演界的地位,与现在的罗马尼亚电影创作协会主席塞尔裘·尼古莱斯库相当。片中的黄玫瑰很像个美国牛仔。比如,他的枪法很好,还会趴在地上听马蹄声,而且片中还出现了西部片必然会有的场面:群马追击四轮...
血战沙漠
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2001年11月,阿富汗加兹尼省。一支来自美国的特种部队小分队与CIA探员本杰明·凯恩斯(乔纳斯·鲍尔 Jonas Ball 饰)在此碰头,他们要在当地寻找一个名叫莫罕默德•阿班的男人。在线人阿布尔(Chems-Eddine Zinoune 饰)的引导下,他们来到据说莫罕默德藏身的山区。这里流传着恐怖的传说,在半个多世纪前英国就曾有一支上万人的部队在此地凭空消失。从特种队员踏入这片陌生领域的那一刻起,恐怖离奇的事件便如影随形。队员们接连失踪,他们仿佛走入一条通往黑暗世界的不归之路……本片荣获2008年纽约恐怖电影节观众奖最佳摄影奖、2008年墨西哥圣塔菲电影节Milagro奖最佳摄影奖。©豆瓣
营救距离
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一名年轻女子在离家千里之外的地方死去。一个男孩坐在她旁边。她不是他的母亲。他也不是她的孩子。他们共同谱写了一个令人难忘的故事,讲述了破碎的灵魂、无形的威胁、家庭的力量和绝望处境。改编自萨曼塔·施维伯林备受国际评论界赞誉的小说。
圣文森的男孩们
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这部电影根据真实事件改编,讲述了加拿大的圣文森特天主教孤儿院,教会神父对十岁的凯文和其他孩子们进行性虐待的故事。这个事件浮出水面后警方开始进行调查,丑闻才得以公布于众,而当地宗教和政治团体却始终保持沉默。
红花之歌
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“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.  The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.  As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.  “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
香烟
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A Parisian museum director believes his wife has lost interest in him and so places a poisoned cigarette in the box on his desk - thus allowing chance to decide the moment of his death.
破胆三次4:血光再起
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一群男女来到五百年前的城堡观光,接着三个人离奇失踪,剩下的人发现城堡的机关能通往一个迷宫密道,然后他们下去搜寻,却一个挨一个死去,而城堡的伯爵似乎有所秘密隐藏,于是他们开始互相猜忌,到底是狼人的诅咒还是人为。