搜索"嘀愀" ，找到 部影视作品
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A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HOR... (展开全部) A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HORSE, which I liked better. Ivan Rassimov is pretty good as the photographer, but it is Me Me Lai as the chief's daughter who is memorable and great. I have always been a Me Me Lai fan ever since her breathtaking performance in JUNGLE HOLOCAUST and she is never given credit for her acting chops because she hardly speaks in her films. She is still very talented and charming. Lots of real animal mutilation is the one thing about DEEP RIVER that could make it a horror film, but even that doesn't execute well.
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Three tales of the erotic: Two young ladies experiment with lesbianism, a handsome and wealthy socialite makes a beautiful woman patiently wait to make love to him, and a gorgeous, but controlling and dominating blind woman makes a hunky stud her sexual hostage in her swanky mansion home.
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A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are ... (展开全部) A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).
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KOKO是位风姿绰约的富有的日本女孩，她旅行到一个意大利小镇，几乎吸引了所有小镇居民的眼球。当地女孩乔奇亚在镇上靠卖玫瑰花为生，恶毒的奶奶逼她嫁给一位性格暴躁的卡车司机。就在乔奇亚伤心欲绝时，KOKO来到她身边，同性的禁忌并没有阻碍两个人的爱情，也因为认识了KOKO，善良的乔奇亚才真正明白什么是独立和自由……
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赫兹克家人总是生活在忙碌中，托马斯和苏珊娜整天忙个不停，只好经常拜托别人照顾孩子eee。当一个特殊的保姆到来后，孩子们才发现她没那么好打发。梅奇塞尔德，不仅年轻优雅，会功夫，还会讲古老的中国故事。一天梅奇塞尔德终于吐露了指引她来到赫兹克家的秘密：她是为一个音乐盒而来，托马斯从中国带回来的古老纪念品。r 很久以前，一位中国王子想娶一位名叫梅奇塞尔德的德国女孩为妻，但是邪恶的王后极力反对，并企图杀害女孩。无奈王子与爱人只好变作音乐盒上的两个木头人，以期日后重逢。王后得知后，便命人将王子与女孩分开，让两人永远无法相见。为了破除诅咒，必须找到音乐盒。而这个古老的音乐盒已经被孩子们在网上卖掉，如今为了帮助梅奇塞尔德与王子重逢，赫兹克家人决定开始寻找音乐盒……
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Using Nelson Rodrigues' play as a springboard, director Braz Chediak has made a movie about the multiple incestuous relationships of one family, and their misguided personal demons get worse as time wears on. The message remains essentially erotic, regardless of possible symbolic allusions to the society to which these people belong.
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帕克斯顿（杰伊·赫尔南德兹 Jay Hernandez饰）和乔什（德里克·理查德森 Derek Richardson饰）是大学同窗好友，二人为了摆脱枯燥的校园生活，决定前往东欧进行一次刺激的旅行。两人于是当起了背包族，还遇上了同道中人奥利（艾瑟·古庄森Eythor Gudjonsson饰）结伴同行，寻欢作乐。 听到斯洛伐克有一个小镇，是个香艳的天堂，美女秀色可餐，几个年轻人就糊里糊涂踏上了火车，来到这个想象中的乐园。在这里，美女让他们一夜销魂，然而可怕的事情却接二连三。他们将会发现，此处并不是他们的游乐场，而是一个难逃生天的地狱。奥利的失踪，更让胆小的乔什意识到，恐怖的事件拉开帷幕了。