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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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一位落魄的原百老汇制片人跟一个“高级经济师”联手，吸引风险投资来排戏，以及如何搞砸这部叫《希特勒的春天》的戏，好让投资都进他们两个人的腰包。未曾想，那部“大话希特勒”版的闹剧大受欢迎，他们的计划也因此暴露，双双上了法庭。
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This is story about a dentist with the talent of painlessly extracting teeth, and what happens to him as a result of being naturally good at his job. It is told with humour (much of it quite subtle, almost surreal, and in the background - imagine a street scene where everyone on the sidewalk on one side of the road walks in just one direction, and on the other side in the other), poignancy, and a frequent breaking of the 4th wall between the movie and the audience (think of what happens in Shakespeare's plays, and you'll be close). It also features some songs by Novella Matveyeva, a famous Russian singer-songwriter (her songs are sung by the leading actress).
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农民格奥尔基·马哈拉什维里收到了儿子高杰尔基在部队的来信，说他因负伤住进了后方医院。故决定去探望儿子，当赶到军医院时，儿子已经返回部队。老头子决定前往儿子所在部队，就在寻找儿子的过程中，他不由自主的参加了战斗，最终打消了回家的念头，参加了部队。当苏军战士消灭了敌人冲入大楼时，儿子已经倒在血泊中，他抱着奄奄一息的儿子，父子终于见到了最后一面…… 本片曾获第四届莫斯科国际电影节最佳男演员奖与1966年度列宁奖金。
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Following the death of his father, Lyle Bennett sets out on an extreme weight loss journey in the hopes of reaching health and happiness. His goal will push him past his physical limits and test the strength of his mental and emotional stability.
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大金刚在军警围捕之下，终于从帝国下厦摔下受重伤，十年后，在乔治亚洲特兰大大学医疗研究，有机会再度复活。为此研发人工心脏，准备为她做换心手术，但要量同类的血液。正当大家一筹莫展时，米奇意外地抓到另一只母猿，并卖给政府以便进行手术，艾咪为此手术执刀，不料手术后的大金刚与母原从回原生地，逃开人类的控制，而被军队重重包围，大金刚被炮击而身受重伤。母猿亦在这次攻击受捕，为展开营救母猿、大金刚将再次肆虐人类……
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film. http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm
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在关于爱情、失去和渴望的三个故事中，孤独的灵魂在大城市忙碌的生活中找到了意想不到的情感共鸣和陪伴