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2018年5月和6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作，开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作，重新布置罢工、抵抗和劳资纠纷的场景，这些电影可以追溯到20世纪60年代末到70年代末，包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果，并增加了采访，在采访中，导演询问学生他们刚刚表演的场景，关于“阶级”、“工会”和“政治参与”等概念，以及更广泛的社会背景。这是一个简单，但尖锐的设置，让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中，基于从未见过的导演更多类似于老师的提问，以及此时此刻对革命的思考：起义的表现反映了同样的情况。这会导致一个真实的发生吗？ In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real? 回到1968年的电影时代，继续对重放从过去跳出来的电影节选的年轻人进行今天的采访，我们的失败描绘了我们当前与政治的关系。我们的失败，还是我们有足够的力量来面对今天的混乱？ By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?
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In the dark landscape of the Mississippi Delta, a bare knuckle cage fighter seeks to repay his debts in a final, desperate attempt to salvage the family home of his dying foster mother.
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一个讨厌狂欢节的年轻乡村女孩去了里约热内卢，想获得巴西最著名设计师的支持，以前往梦寐以求的巴黎学习时装。她潜入了其中一所最大的桑巴舞学校的缝纫团队，她将意识到虽然狂欢节只有一周，但爱情故事可以改变她的一生。
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Marine Biologist Jason and his wife Abby goes to Pola, Mindoro where he is tasked to lead the rehabilitation and preservation of a fish sanctuary. There, he meets his diving assistant Dennis and the two hit it off instantly. As they work together, Jason learns bits and pieces about Dennis and his family; and Dennis is moved with Jason's passion for his work. They also find themselves in contradicting problems when Dennis got his girlfriend Tanya pregnant, while Jason and Abby have been struggling to have a baby for years, but to no avail because of Abby's illness. As days go by, Jason and Dennis develop romantic feelings for each other, eventually giving in to their sexual desires. But their affair takes an unprecedented turn when Abby finds out about Jason and Dennis' affair and catches them in the act. Abby's shock from her discovery made her illness worse, resulting in her hospitalization. Jason now has to choose between Abby and Dennis, and someone will be left brokenhearted.
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“全球健身中心”的创始人怀特•古德曼（本•斯蒂勒 Ben Stiller 饰）为人嚣张，以兼并其它健身馆为乐事。健身中心附近有一家惨淡经营的大众健身馆，其负责人彼得（文斯•沃恩 Vince Vaughn 饰）生性淡漠，对一班怪诞的老顾客长期免费服务。为吞并大众健身馆，古德曼购入后者的债权，并委托银行找来律师凯特（克里斯蒂娜•泰勒 Christine Taylor 饰）要求彼得在30天内筹集五万美元还债，否则健身馆将转入古德曼名下。一筹莫展的彼得与众位老顾客、雇员想到参加拉斯维加斯举办的“躲避球大赛”，期望得到冠军奖金解决燃眉之急。同时不堪古德曼骚扰的凯特也加入了彼得一边，古德曼亦组织球队参赛，意欲将彼得等人截杀……