《性生活》是一部官能現實系列，窺探式紀錄片，圍繞「有趣的性和色情體驗」。　　美高梅的無劇本與另類電視台和Orion電視台總裁，巴里楫i茲尼克（Barry Poznick），　　分享了他對該節目的熱情，他說：「與電影講故事者合作，從關門的背後帶給觀眾親密而　　挑釁的活動，擴大了美高梅電視台獨家節目的範圍 吸引全世界的觀眾。」　　該節目的第一季於2019年6月14日在Epix上首映，廣受好評。 第二季亦推出兩集，引起熱　　議。

　　showtime meijubar.net秋季档大作Californication（《加州靡情》），能让我们一睹X档案中特别探员Mulder多年后重返银幕后的风采。　　showtime依然延续了严肃主题黑色幽默的传统，本片以小说家Hank Moody为线索，这样一个失意作家，在毒品与性爱中徘徊不前。女儿的负担，前妻的尴尬。如此男人，到底怎样过活，尽在Californication、　　我们的X档案中那个意气风发的探员转眼成了失意作家，年近50的他和剧中主角Hank有颇多相似之处，从X档案的光环到如今平平反响，可以说这部剧集也算为他量身定做了。　　短短半个小时的pilot中，主要角色关系十分微妙，戏剧冲突感十分强烈。除此之外，一向以热辣大胆风为主的有线台在本剧中也是挥毫泼墨，灵与肉的撞击，理智与欲望的冲突，层层交织。　　Californication，为您讲述失意男人们的故事！

　　No bloody slashers have ever before been made in Lithuania. Takashi Miike’s die-hardest fan Jonas Trukanas accomplished his dream and independently created an inventively ripping horror thriller with a minimal budget.　　Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way.　　There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him?　　Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.　　源自：https://poff.ee/en/film/pensive/

该片讲述一位双性的非洲黑客与一名钽铁矿石矿工联合起来，制作了虚拟世界的奇观。是埃兹拉·米勒与索尔·威廉姆斯共同创建的MartyrLoserKin制片公司首个项目。

　　影片故事改编自巴基斯坦的古老神话，主人公阿拉亚是个勇敢、自信、正义的小男孩，在拯救了一只捻角山羊后，拥有和动物说话的能力，在护送捻角山羊回家的路上与盗猎者、狼群斗智斗勇；而中国喜马拉雅地区特有的动物雪豹作为主要角色之一，帮助主人公战胜盗猎者；“敬人者，人恒敬之”“患难与共”等中国典故贯穿始终。

暂无简介

　　七个催眠飘渺的赋格式小品，开始时看似无伤大雅，后来越来越激烈，直到最后在心理万花筒中推至高潮。爷爷沉默了-他还活着吗？一个人对着衣柜说话-为什么？缺席的人像幽灵一样悄悄地进入夫妻和家庭的生活和对话中。他们是失落的、压抑的、失踪的。年轻人震惊了他们的母亲-一个用爱，另一个用蔑视（以及清醒地提出上帝是一种甘道夫的理论）。最后，还有一个把天真无邪的病人逼上绝路的骗子。在这里，很难说谁是受害者，谁是罪魁祸首。如果人都是球体，他们还能相遇吗？

　　2018年5月和6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作，开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作，重新布置罢工、抵抗和劳资纠纷的场景，这些电影可以追溯到20世纪60年代末到70年代末，包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果，并增加了采访，在采访中，导演询问学生他们刚刚表演的场景，关于“阶级”、“工会”和“政治参与”等概念，以及更广泛的社会背景。这是一个简单，但尖锐的设置，让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中，基于从未见过的导演更多类似于老师的提问，以及此时此刻对革命的思考：起义的表现反映了同样的情况。这会导致一个真实的发生吗？　　In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?　　回到1968年的电影时代，继续对重放从过去跳出来的电影节选的年轻人进行今天的采访，我们的失败描绘了我们当前与政治的关系。我们的失败，还是我们有足够的力量来面对今天的混乱？　　By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?

　　影片围绕一宗波云诡谲的“鬼楼杀人案”展开，讲述警察甄小火前往调查时遭遇的一桩又一桩险象环生、扑朔迷离的诡事。　　民国晚年，时局动荡，民生飘摇，屡有少女遭红衣女鬼劫持失踪，失踪少女陈尸鬼宅之中，脚上都穿着诡异的红色绣花鞋。警局中人避之不及，唯有青年女警甄小火，不信鬼神之说，坚持追查此案。随着深入调查，一件件扑朔迷离的案件浮出水面。

安东尼·麦凯、詹米·多南加盟科幻惊悚片[同步](Synchronic，暂译)。艾伦·穆尔黑德、贾斯汀·本森([无尽])执导，贾斯汀·本森操刀剧本。麦凯、多南在片中饰演新奥尔良两名医护人员，一种离奇药物的出现导致了一系列恐怖死亡事件，两人的生活也被彻底打乱。XYZ Films负责该片国际发行。