搜索"䴀愀爀最" ，找到 部影视作品
导演：
剧情：
故事发生在罗马尼亚大革命的前夜。为了筹集资金购买武器，完成革命的最后准备工作，“革命者联盟”指示在布加勒斯特从事地下工作的巴伦西取出由施特劳保管了多年的一批财宝，把它交给一个代号叫“黄玫瑰”的同志。巴伦西接到指示后，同助手一起，几经周折，找到了施特劳的儿子，取出了财宝。在转送途中，他们碰见了女演员阿卡塔等二人，彼此结伴而行。但行不多久，他们遭到了政府军的袭击，巴伦西等人英勇牺牲，财宝落到了阿卡塔手里。原来她是反对派派来的间谍。“革命者联盟”得知这一情况后，马上派出自己的同志设法处死了阿卡塔，将那批财宝安然送到了目的地。
剧情：
大卫在棘童仕年础挚友杰腹克的彤邀请甜下，娘到圣卡利锤石缘窟进行缘最后一次勺的洞穴冒蝶险舷。绿当晚迭，他孝们围在朋营火旁，向导向他化们阁简矢短丽解说迂有关圣卡利训石窟右的瘦传叉奇硫，盔第玉二天纤一址早形，这群滥兴致怔勃勃的年窒轻亡人兵便蓉迫不及待卿投入这固项屋冒皿险与的荷活动，但是却递有一群喀邪恶岔的末晴知雍生登命江在澎黑厌暗中淹窥伺着希他誉们厢。一怠个队员式在石窟铱里与众人走三散传，却镣被周神秘烟的生苛物衬杀肇死，他辰手濒中配的油灯落到含谚有硫磺执的地吱面上，暗甲诸发法爆掌炸，销造成毛石窟七塌求陷帐，这蜗些探山捡队员润也丫被困倘在洞里。拯为了写寻找院出颜口，队员缘分头应进行钠探操索工作。萨拉择进到石奠窟笑深翰处芹的狭卷缝访里，之赫然锑见到一双闪亮鬼魅的眼睛容正注丸视殆着她。在无尽的黑暗中天…瞩…
导演：
主演：
剧情：
马克（Sam Neill 饰）的妻子安娜（Isabelle Adjani 伊莎贝尔 bull;阿佳妮 饰）未留下任何原因离家出走，他一度认为安娜与一个名叫海恩里克（Heinz Bennent 饰）的男人有染，却发现海恩里克也在寻找许久未见的安娜。马克于是雇佣私家侦探调查。但随着线索的逐一呈现，事实的真相反倒令马克等人难以置信。安娜所耽恋的对象竟然是 本片分别荣获1982年戛纳国际电影节和法国凯撒电影节最佳女演员奖、1983年葡萄牙奇幻电影节观众大奖和最佳女主角奖、1981年西班牙圣保罗国际电影节评论奖。
导演：
剧情：
The movie starts with Annabella (Margie Newton), an attorney, by the bedside of one of her client, a young drug addict in a recovery clinic. Before he dies, he tells her where she can find a taped diary disclosing all the terrible secrets that have been going on in this small town. She decides to stay and it soon appears that she is seeking revenge upon all those who had harmed...
剧情：
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.