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一群女大学生去新奥尔良参加狂欢节,其中一人喝醉,跟一个英俊陌生人走了。她们随后发现,她遭遇了一个深陷巫毒诅咒、疯狂诡异的猎杀家庭,与1800年代搬来此地的法国布丹家族有关。
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Robin and Jenna are getting married. Robin is excited beyond words; Jenna is plagued by panic attacks and struggles to write her vows. But when they arrive at their secluded fairy-tale venue, sinister forces besiege them, threatening to tear them apart.
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Carl和Yaya是一对很有影响力的模特夫妇。时装周结束后,他们受邀来到一艘游艇进行豪华的跨洋之旅,船员们都非常尽职地为度假者们服务。大名鼎鼎的晚宴即将举办,但船长却拒绝离开他的船舱。当暴风雨来临并危及乘客的舒适体验时,事情发生了意想不到的转变,平衡被打破……
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信仰的世界天翻地覆之后,她发现她深爱的父亲死了。当神秘诱人的娘娘腔的青年成为她的曲棍球教练,找到一个富有同情心的精神信仰和急需的母亲形象。她不知道茜茜是一个古老的巫师家族,以一个古老的樱桃树的果实在一个秘密的仪式,恢复生命的死亡和垂死的头。向一个孩子交换医治她的父亲,茜茜罢工讨价还价与信念,她忽然发现自己怀上了孩子,以惊人的速度增长。但随着孩子的出生滴答滴答的时钟和人类越来越明显的娘娘腔的计划的真实意图,信念和她的父亲必须站在一起,为了拯救自己的生命。
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很多人听过她们的声音,但是鲜少有人知道她们的名字,这句话几乎可作为“和声女声”职业生涯的最佳注脚。由Morgan Neville执导的纪录片《和声女神》就将视角聚焦于如Darlene Love, Merry Clayton, Claudia Lennear, Lisa Fischer, Tata Vega还有Judith Hill等几位幕后女声,他们曾为那些20世纪最著名的流行歌手们甘做绿叶,而她们也恰好如此地见证了流行音乐史。
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The story follows the Morels, including two teenagers and a 7-year-old kid who are driving their parents out of their minds. One morning, they all wake up inside each other's bodies.
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故事围绕着一男两女的三角恋爱,一个无业游民的知识分子,却有两个女郎争相爱他,一个是年轻护士,以美妙的性技巧和情色笑话令他得到感官的满足;另一个是徐娘半老的女友,却供应他的食宿。他们以为享受齐人之福,三人大被同眠,结果搞得大家痛苦不堪,最终一个试图自杀,另一个以结婚作为回心转意的条件,筋疲力尽的他只好向婚姻投降。
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Followig the sudden death of her estranged brother, Lucia finds comfort through her brother's fiancée, Mariana. Though strangers at first, the two women slowly bond over their loss, sharing memories and stories of the man they both loved. Eventually they fall in love and Lucia finds herself at a crossroad. She must chose whether to return to her old life with her husband or embark on a new journey with her new found love.
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A dark existential odyssey through an underground dueling culture.
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The last year of life of the Italian-French painter Amedeo Modigliani (1884-1920) who died with 36 years, was played by Gérard Philipe, who was lethally sick during the shooting of this movie and died shortly after its release, 1959, with 36 years - on one of the two diseases that Modigliano had himself and exactly in his age. Further, this movie was directed by Jacques Becker - after the sudden death of Max Ophüls. Becker, too, died only 2 years after this movie.