搜索"䈀愀" ，找到 部影视作品
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故事开始于1923年加利福尼亚的的瓜达洛普大沙漠，传奇导演Cecile B. DeMille正在拍摄一部名为《十诫》的无声史诗电影。这部电影是根据DeMille自己的想法来拍摄的，这和33年后（1956年）DeMille再次拍摄的Charlton Heston主演的著名版本完全不同。但是片场频繁出现的离奇死亡事件，让DeMille烦恼不已－－更令人感到恐怖的是，这些人的死因和死状很像是传说中的古埃及死神阿努比斯（Anubis）所为。最终，电影摄制完成，但是谁也不知道，片场所使用的古埃及遗物唤醒了邪恶的魔灵。DeMille命人将多余的道具掩埋到黄沙之下……80多年过去了，从伊拉克战场上退役的老兵Mark协助年迈的祖父来到当年的电影拍摄地，Mark的祖父希望能挖掘出自己孩童时代亲手埋下的遗物。与此同时，Alice Carter博士带着一群学生来到沙漠腹地探险，他们的目的也是寻找DeMille的遗物。Mark和祖父很快加入了Alice的队伍。不用说，Alice和Mark很快擦出了火花。但是随着Alice的准未婚夫、善于玩弄女性的Jesse Carter博士的出现，几个人的关系变得复杂起来。不久，Mark和祖父找到了精确的发掘地点，而当年那个类似于阿努比斯的恶魔也重新出现，疯狂地开始杀戮。它能将双手所触及到的生命变成黄沙，并释放出毒蝎、毒蛇，或者制造一个外观类似于眼睛蛇的巨型沙暴。在寻找真相的过程中，Mark和Alice还遇到了一位古怪的英国老人和一位整天抱怨屁股上长了虱子的讨厌农夫。
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暑假来临，大学新生刘易斯·托马斯（保罗·沃克尔 Paul Walker 饰）决定穿州过省，前往新泽西去看望他自高中时代便喜欢的女孩维娜·威尔柯斯（Leelee Sobieski 饰）。为了打发旅途上的无聊时光，他将正因酒后驾车蹲局子的老哥富勒（史蒂夫·赞恩 Steve Zahn 饰）保释出来，兄弟俩一路通行。
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon"workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including"Mr. Tambourine Man" and"It Ain't Me, Babe") sees him moving away from the"protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal"Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs"Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of"Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing"Mr. Tambourine Man" and"It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the"old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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เมื่อมะลิ (ก้อง ห้วยไร่) พ่อค้าไข่เจียวรถเข็นลูกค้าติดตรึม ถูกเพื่อนยุให้แข่งขันรายการ ไข่เจียวไทยไปไข่โลก เขาจำต้องพึ่งพาความช่วยเหลือจาก พริ้นซ์ (สิงโต นำโชค) อาจารย์มหาวิทยาลัยเพลย์บอยตัวพ่อ, เปลืองศักดิ์ (บอล เชิญยิ้ม) หมอศัลยกรรมกะเทยแซ่บ , คิม (ไพศาล ขุนหนู)ทนายคนใต้อุดมการณ์แรงกล้า และ นะโม (เซฟฟานี่ อาวะนิค) นักบินสาวห้าวที่พริ้นซ์แอบปลื้ม กับปฎิบัติการที่พวกเขาต้องปั้น...
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故事发生在卡茨基尔的一次周末背包旅行中，17岁的萨曼与父亲和父亲老友的自我意识之争展开了对抗。 该片曾入围2024年圣丹斯电影节、戛纳导演双周。
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Dead On Site is the story of a group of media arts majors who decide as a final project to take over a vacant house where a yakubd.ccfamily had been wiped out a year before. They plan to re-enact the murders and web-cast them on a site while they search for clues to the killer.