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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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KOKO是位风姿绰约的富有的日本女孩，她旅行到一个意大利小镇，几乎吸引了所有小镇居民的眼球。当地女孩乔奇亚在镇上靠卖玫瑰花为生，恶毒的奶奶逼她嫁给一位性格暴躁的卡车司机。就在乔奇亚伤心欲绝时，KOKO来到她身边，同性的禁忌并没有阻碍两个人的爱情，也因为认识了KOKO，善良的乔奇亚才真正明白什么是独立和自由……
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莎拉（Samanta Caicedo 饰）是一个非常孤独的女孩，个性内向不擅交际的她并没有太多的朋友，很多时候，她只能选择独来独往。一天，学校里转来了一位名叫安德里亚（Maria Juliana Rangel 饰）的转学生，安德里亚不仅拥有美丽的外表，而且个性活泼开朗，很快，她就和莎拉成为了好友。 随着时间的推移，莎拉在安德里亚的身上感受到了致命的吸引力，而她渐渐发现自己对安德里亚的感情早已经逾越了友情的界限，实际上，安德里亚对于莎拉的感觉亦是如此。坠入情网的两人，她们未来的道路注定不会顺利，在校风严谨而又保守的学校内，她们必须小心翼翼的守护她们共同的秘密。