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梅洛蒂（莎拉·亚金饰演）和她的妹妹莱拉（艾尔西·费舍尔饰）与朋友但丁（雅各布·拉铁摩尔饰）和露丝（尼尔·哈德森饰）一同前往偏远的德克萨斯州哈洛镇，开始一项理想主义的新商业冒险。但他们的梦想很快就演变成了一场噩梦，因为他们不小心破坏了人皮杀人魔的家，这个疯狂连环杀手的血腥事迹，让当地人至今心有余悸，其中包括莎莉·哈迪斯（欧文·弗热瑞饰），作为人皮杀人魔 1973 年大屠杀中的唯一幸存者，她决心寻求复仇。
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An overnight success in the hyper-competitive world of figure skating, Alexis Winston ditched her hometown boyfriend in a bid for superstardom. Alexis is at the top of her game when she's suddenly blinded in a tragic ice skating mishap. Her spirit broken, the fallen figure skater seeks the love that will help her lace up her skates
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With Joey Fane back home, all Virginia and Bill Fane want is a calm and respectful atmosphere amongst the house. Only something is still disturbing Joey and that one thing is the Nanny. Whilst Nanny is a loving woman who helps around the house, Joey sees her as someone else someone who believes is responsible for the death of his sister.
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科林（詹米·多南 Jamie Dornan 饰）是一名野心勃勃的金融家，一心希望腰缠万贯的迪拜酋长谢赫（奥马尔·本·哈依德 Omar Bin Haider 饰）能够成为自己的客户。谢赫希望得到一只名为小白头的赛鸽，然而，赛鸽的主人乔斯（简·德克莱尔 Jan Decleir 饰）早已经将小白头当成了自己的家人，绝对不可能因为金钱将小白头出卖。科林决定代替谢赫出面，帮他拿下小白头。他隐姓埋名假扮成一名高中老师来到了乔斯所在的小镇上，通过捏造的过去不断的接近这乔斯和他的孙女伊莎贝尔（Charlotte De Bruyne 饰），在此过程中，善良开朗的伊莎贝尔渐渐吸引了科林的注意，令他坠入了情网。©豆瓣
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.